<TEI> <teiHeader> <fileDesc> <titleStmt> <title type="main">Rätoromanische Chrestomathie</title> <author> <persName> <surname>Decurtins</surname> <forename>Caspar</forename> </persName> </author> </titleStmt> <editionStmt> <edition>Digitalisierte Ausgabe</edition> </editionStmt> <extent> <measure type="pages">1</measure> </extent> <publicationStmt> <pubPlace>Köln</pubPlace> <publisher> <orgName>Sprachliche Informationsverarbeitung, Universität zu Köln</orgName> <email>buero@spinfo.uni-koeln.de</email> <address> <addrLine>Albertus-Magnus-Platz</addrLine> <addrLine>50923 Köln</addrLine> </address> </publisher> <availability> <licence target="http://creativecommons.org/licenses/by-nc/3.0/de/"> <p>Distributed under the Creative Commons Attribution-NonCommercial 3.0 Unported License.</p> </licence> </availability> </publicationStmt> <sourceDesc> <bibl>Decurtins, Caspar: Rätoromanische Chrestomathie</bibl> <biblFull> <titleStmt> <title level="m" type="main">Rätoromanische Chrestomathie</title> <author> <persName> <surname>Decurtins</surname> <forename>Caspar</forename> </persName> </author> </titleStmt> <editionStmt> <edition n="1"/> </editionStmt> <extent> <measure type="pages">7260</measure> </extent> <publicationStmt> <pubPlace>Erlangen</pubPlace> <publisher> <name>Vollmöller, Karl</name> </publisher> </publicationStmt> </biblFull> <msDesc> <msIdentifier> <repository>Digizeitschriften.de</repository> </msIdentifier> <physDesc> <typeDesc> <p>Chrestomatie</p> </typeDesc> </physDesc> </msDesc> </sourceDesc> </fileDesc> <encodingDesc> <p>Dieses Werk wurde in XML/TEI P5 kodiert.</p> </encodingDesc> <profileDesc> <langUsage> <language>Rhaeto Romanic</language> </langUsage> <textClass></textClass> </profileDesc> </teiHeader> <text> <body> Sagen <lb/>
207 <lb/>
… a sejar. In sejand udit el dandettamg nel god da Prafarschang il <lb/>
rebomb d' üna franturante musica, uni cun gübels e fracasch, sco pro üna <lb/>
mastralia. Surprais da que, s' impisset el „Che chosas po esser quist?“ — <lb/>
non haviand la saira tranter ils giuvens, udi üna simla decissiun, da rizzar <lb/>
musicants. Ma bainbod ha el allura viss — il ball dallas strias intuorn el 5 <lb/>
in seis prà. — Dal spavent e la tema, dals ridiculs giests, sco dals <lb/>
tschögns diabolics, chi al gnittan fats, laschet il bun giuven crodar la <lb/>
fodsch, perdet il cuzzer e mütschet sün l' alp Dischollas, circa desch minuts <lb/>
chamin davent. Sün seis cloccar e clamar rivit allura il signun l' üsch <lb/>
e' l laschet ir aint, ingio ch' el amo trembleva dall' angoscha ed era mez 10 <lb/>
mort dalla tema. <lb/>
Eir quist giuven, il qual eu fich bain he amo cognoschü, non volet <lb/>
pero nomnar üngünas persunas ch' el our dalla fuolla haveiva cognoschü, <lb/>
e sch' ün al domandeva, schi deiv' el in resposta: „Laschain cha' ls dimunis <lb/>
reistan quels chi sun.“ — 15 <lb/>
9. Il ball nel plan dallas strias. <lb/>
Eir in Sent vain dal pövel raquintà, co cha 'l striom tgneiva sias <lb/>
radunanzas da plaschair sü' l plan d' üna colina, chi tuot hoz amo port il <lb/>
nom: „Il plan dallas strias.“ — Siant cha dit plan ais solitari, fich distant <lb/>
dalla via da comunicaziun tranter Sent e Scuol, non as raintan simils <lb/>
raquints via d' üngünas persunas, chi havessan gnü occasiun da not temp 20 <lb/>
da' s rechattar sün dit pascul comünal, u da havair dovü transir tras quel. <lb/>
Istess disch l' opiniun publica, cha per tradiziun ün haja saimper udi, <lb/>
cha' l striom tgneiva qua sias radonanzas nels quatembers, cur quels <lb/>
crodevan sü' l cler d' glüna; ingio gnivan fat gittas da plaschair infin pro <lb/>
las prümas chasas, pro 'l che ün paur üna giada udind frantur haja avri 25 <lb/>
sia porta per vera, che que poss esser; haja allura udi a clamar our dalla <lb/>
fuolla: „Din, Din, sta dadaint teis terms e fa teis fats.“ <lb/>
10. Il ball da Gurlaina. <lb/>
Ün curadschus paur da Scuol gniva avant anns, sco vain raquintà <lb/>
da not temp gio da Tarasp. Arriva davo la via nel plan Gurlaina, chatt' el <lb/>
qua a sia surpraisa il ball del striom, chi sotta e' s diverta nel tact düna 30 <lb/>
musica intuorn ün fö. L' hom as racomandet nels mans del Ottisem e giet <lb/>
allura francamg davo sia via inavant tras la fuolla. Qua al interpelet <lb/>
ün our dal tröp dschand: Tü' m esch ün superbi gentil om? Franc al <lb/>
respondet il paur, cognoschand il campiun, chi' l veiva interpelà: Eu sun <lb/>
quel ch' eu sun stat — ma tü esch quel tü esch! … e passet usche inavant 35 <lb/>
sainz' esser minimamg gnü molestà. </body> </text></TEI>
