<TEI> <teiHeader> <fileDesc> <titleStmt> <title type="main">Rätoromanische Chrestomathie</title> <author> <persName> <surname>Decurtins</surname> <forename>Caspar</forename> </persName> </author> </titleStmt> <editionStmt> <edition>Digitalisierte Ausgabe</edition> </editionStmt> <extent> <measure type="pages">1</measure> </extent> <publicationStmt> <pubPlace>Köln</pubPlace> <publisher> <orgName>Sprachliche Informationsverarbeitung, Universität zu Köln</orgName> <email>buero@spinfo.uni-koeln.de</email> <address> <addrLine>Albertus-Magnus-Platz</addrLine> <addrLine>50923 Köln</addrLine> </address> </publisher> <availability> <licence target="http://creativecommons.org/licenses/by-nc/3.0/de/"> <p>Distributed under the Creative Commons Attribution-NonCommercial 3.0 Unported License.</p> </licence> </availability> </publicationStmt> <sourceDesc> <bibl>Decurtins, Caspar: Rätoromanische Chrestomathie</bibl> <biblFull> <titleStmt> <title level="m" type="main">Rätoromanische Chrestomathie</title> <author> <persName> <surname>Decurtins</surname> <forename>Caspar</forename> </persName> </author> </titleStmt> <editionStmt> <edition n="1"/> </editionStmt> <extent> <measure type="pages">7260</measure> </extent> <publicationStmt> <pubPlace>Erlangen</pubPlace> <publisher> <name>Vollmöller, Karl</name> </publisher> </publicationStmt> </biblFull> <msDesc> <msIdentifier> <repository>Digizeitschriften.de</repository> </msIdentifier> <physDesc> <typeDesc> <p>Chrestomatie</p> </typeDesc> </physDesc> </msDesc> </sourceDesc> </fileDesc> <encodingDesc> <p>Dieses Werk wurde in XML/TEI P5 kodiert.</p> </encodingDesc> <profileDesc> <langUsage> <language>Rhaeto Romanic</language> </langUsage> <textClass></textClass> </profileDesc> </teiHeader> <text> <body> 298 Caspar Decurtins <lb/>
sentin nus il fladar della sensualitad meridionala. Tadleien ina gada la <lb/>
canzun d' amur d' in giuven compogn, en la quala s' exprima cun atgna <lb/>
naivitad il sentiment della amur 1). En biaras e differentas canzuns vegnan <lb/>
ils plischers della dultscha amur cantai. <lb/>
5 Rosa biala, rosa cara, Sche las uras bucca vessen, <lb/>
Ti eis mia contentienscha, Sai jeu ch' ellas quei de car <lb/>
Ti sas gie che sei zun cara Bein bugien a mi fagiessen <lb/>
Encunter tei mia obedienscha. A rischdassen tut or clar. <lb/>
Tia fatscha bein ornada Jeu sai ch' ellas or clamassen <lb/>
10 Ei miu cor a fidament; Bia suspirs ch' jeu vai tarmess <lb/>
Quella dat pli ch' ina gada Tier tei scazi che mi dattan <lb/>
A mi trost a legherment. Per pardetgia ch' jeu sai tes. <lb/>
Tuts moments che jeu poss buca Vessas pia, o flur carina <lb/>
Tei cara biala ver, Co poss mai consolar <lb/>
15 Poss jeu gir che seigi tutta Mo eung tia fatscha fina <lb/>
La persuna displischer. Cur che ti selais anflar. <lb/>
Cur che ti eis absentada Veglias pia cheu d' envia <lb/>
Sche vai jeu mai nin ruaus De mai bucca sezupar <lb/>
Buc' ina ura ei vargada Sonder cert adina tia <lb/>
20 Che jeu sei bucca turmentaus. Compagnia schar enflar. <lb/>
Es folgt ein engadinisches Lied 2). <lb/>
Tras elegidas e distinguidas figuras, tras in cast e profund sentiment <lb/>
sco bi rithmus sedistingua suondonta canzun degna d' esser parigliada cullas <lb/>
meglieras „Minnelieder“ dil temps miez 3). <lb/>
25 Cont castas e bialas ein las figuras, cont profunds ils sentiments en <lb/>
quella idjlla. D' in pli profund sen, che quei ch' ins pudess crer sin l' <lb/>
emprema gliada ei suondonta canzunetta 4). <lb/>
1. Eu vaiva ün mail cotschen rösin <lb/>
Ha tut e l' ha miss sün meis scrin, <lb/>
30 2. Guai cur cha l' an füt passantà <lb/>
Schi l' ha lura giò mangià <lb/>
3. Ha tut e ha parti in dus <lb/>
Ha dat ün toc a meis marus <lb/>
4. Ha dat eir part da seis minzin <lb/>
35 Chi cresch' in el ün giardin <lb/>
1) Decurtins, Chrestomathie Bd. IX, p. 133. <lb/>
2) <lb/>
Decurtins, Chrestomathie Bd. IX, p. 60 mit einigen Variationen. <lb/>
3) <lb/>
Decurtins, Chrestomathie Bd. IX, p. 153. <lb/>
4) <lb/>
Decurtins, Chrestomathie Bd. IX, p. 73. </body> </text></TEI>
